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Designing Objects in Motion : Exploring Kinaesthetic Empathy
The movement of designed objects is not just something purely functional but also triggers a wide range of sensations.A curtain swaying gently in the wind can cause the onlooker to feel easy and relaxed, as if it was he or she who is floating in the air.This imagined projection caused by the perception of moving objects is called "kinesthetic empathy". In this study, which followed on from a dissertation at the School of Design Research in London, the author investigates the esthetics of movement by documenting his own design-based learning and research process in terms of "research through design", using the experimental cooperation with puppet players as an example.He thereby creates a framework that allows designers to observe the esthetics of objects in motion as a trigger of feelings.
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Self and Other : Exploring Subjectivity, Empathy, and Shame
Can you be a self on your own or only together with others?Is selfhood a built-in feature of experience or rather socially constructed?How do we at all come to understand others? Does empathy amount to and allow for a distinct experiential acquaintance with others, and if so, what does that tell us about the nature of selfhood and social cognition?Does a strong emphasis on the first-personal character of consciousness prohibit a satisfactory account of intersubjectivity or is the former rather a necessary requirement for the latter?Engaging with debates and findings in classical phenomenology, in philosophy of mind and in various empirical disciplines, Dan Zahavi's new book Self and Other offers answers to these questions.Discussing such diverse topics as self-consciousness, phenomenal externalism, mindless coping, mirror self-recognition, autism, theory of mind, embodied simulation, joint attention, shame, time-consciousness, embodiment, narrativity, self-disorders, expressivity and Buddhist no-self accounts, Zahavi argues that any theory of consciousness that wishes to take the subjective dimension of our experiential life serious must endorse a minimalist notion of self.At the same time, however, he also contends that an adequate account of the self has to recognize its multifaceted character, and that various complementary accounts must be integrated, if we are to do justice to its complexity.Thus, while arguing that the most fundamental level of selfhood is not socially constructed and not constitutively dependent upon others, Zahavi also acknowledges that there are dimensions of the self and types of self-experience that are other-mediated.The final part of the book exemplifies this claim through a close analysis of shame.
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Empathy
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Empathy
Empathy is one of the most talked about and widely studied concepts of recent years.Some argue it can help create a more just society, improve medical care and even avert global catastrophe.Others object that it is morally problematic. Who is right? And what is empathy anyway? Is it a way of feeling with others, or is it simply feeling sorry for them?Is it a form of knowledge? What is its evolutionary origin?In this thorough and clearly-written introduction to the philosophy of empathy Heidi Maibom explores these questions and more, examining the following topics: The nature of empathy and key themes in the literature Empathy as a way of understanding others, particularly 'simulation theory’ and 'perspective-taking' Empathy, emotional contagion, and sympathy Empathy’s role in moral understanding or motivation Empathy and art appreciation, with examples from film, music and fictionEmpathy and mental disorder, such as psychopathy and autism. Including chapter summaries, annotated further reading and a glossary, Empathy is an excellent resource for students of philosophy of mind and psychology, psychology, and cognitive science, as well as for those in related subjects such as art, literature and politics.
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Empathy
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Empathy
Empathy, first published by Station Hill Press in 1989, marked a turning point in Mei-mei Berssenbrugge’s poetry, her lines lengthening across the page like so many horizons, tuned intimately to the natural world and its human relations, at once philosophical, lush, and rhythmic.As she writes in the new note for this edition, “I started to feel my way toward an intuited subliminal wholeness of composition.” In these poems, empathy not only becomes the space of one person inside another, but of one element (water, or fog), one place (tundra or desert mesa), one animal (the swan) as the locus of human illumination and desire.
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Empathy
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Empathy
What is empathy? Is it a basic human characteristic? Is there a biological basis for it? How does it work in therapy? Is it a necessary condition for therapeutic change? Sheila Haugh and Tony Merry have assembled a formidable collection of distinguished writers from Client-Centred Therapy and the Person-Centred Approach to help the serious student examine these and other important questions.
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